Tuen- The Living Sound

Tuen
The Living Sound
Rosebuds Records
www.myspace.com/tuenmusic

Tuen, roughly translated into “Love” in Vietnamese consists of John Holden Forrest on vocals, guitars, keyboards and percussions, Ben Belin on drums and percussions, and Kacy Ray on bass. The Living Sound released in 2005 is the first full length CD for the Austin alternative rockers.
The first track entitled, “Trying to Achieve,” begins a rhythmic guitar riff which is promptly interrupted by a whistle and joined by Forrest’s almost forced raspy vocals. Sounding like a dryer more alternative version of progressive rockers Umphrey's Mcgee, Tuen’s tracks encompass a funky jam element. The fourth track, “Friends,” is about Forrest’s kindergarten friendship with best friend Simon as depicted by the linear notes. A bass heavy song, the track is suggestive of a carefree juvenile experience---“I don’t care about tomorrow; I just want to stay with you and dance away all my troubles.” The track, “Beautiful Things She Said,” is a rollercoaster of down-tempo and upbeat progressions that range in both instrumental levels and vocals. Commencing in almost a whisper, Forrest’s vocal range reaches a plateau midway but quickly alters to fit the tempo of the song. The album features two bonus tracks which are not listed on the album’s track list and un-named due to a failure in my iTunes inability to connect to the internet. The funky alt album is great for a hang out at home with friends slinging beers soiree.

The album cover features vintage black and white stamps from all over the world varying in values; some of the stamps have been post-marked. Images of horses, athletes, flowers, old-fashioned buggies, multi-sail boats and Wright brother-esque airplanes make up the stamp designs. Most of the stamps include the name San Marino, the world’s oldest republic. The band’s name is displayed in small, red digital font on the lower right side. A picture of the band mates clad in long sleeve collared shirts graces the backside of the CD. Inside the insert is a black and white photo of the trio among two art pieces on the other pages done by Cray, a single name that listed on the outer left of the Thank yous. Song symbolism and meanings are included on the back of the second and front of the last page. A color photo of Forrest and Belin rocking out graces the posterior of the insert.

Robbie and the Robots- Todaysterday

Robbie and the Robots
Todaysterday
Jacket Weather Records
http://www.myspace.com/robbieandtherobots

Released in 2005, Todaysterday is the first and only full-length album (so far) for pop-punk alternative rockers Robbie and the Robots which consists of Robbie Doyen on guitar and lead vocals, Aphyr St. James on djembe and backup vocals, Levi Cory on bass and backup vocals, Jesse Hodges on lead guitar and backup, and J.R. “Mojo” Juica on drums. The 10-track album which centralizes mostly on relationships and partying encompasses a splash of genres from pop to punk to rockabilly to rock throughout. Incredibly witty, Doyen’s lyrics are clever, well-written and rhyme.

The album’s first track entitled, “Symbiosis,” is a soft ballad with a repetitive “na na na na na na na,” chorus. Commencing with a psychobilly guitar intro “Drug Free Sabbath,” is an album anthem which evidently gets its name from Doyen’s professed lyrics- - “I don’t smoke crack on the day of the Lord, I don’t smoke crack on the day of the Lord.” The track is a dancey number which is likely a crowd sing-along favorite with its upbeat tempo and easy lyrics. “Naked,” focuses on the joys of being young, dumb, and driving “naked with the top down.” There’s a notable rockabilly feel and Chuck Barry-esque guitar amidst the lyrics “drugs are better than people. Take a pill, take a hit, take a puff, take a sip, yeah, drugs are better than people.”

The album art, which appears to be a drain of some sort with the album title trailing in a downward spiral motion, was created and designed by Doyen. Created on a grayscale, the design is bland and simple. A female robot caricature also created by Doyen is featured in the insert. A picture of the band taken by Sarah Grace Lanz graces the back of the insert.

If Robbie and The Robots are as delightful and fun as their album suggests, the results are undeniably a rockin’ good time.

SMTX 78666- SMTX 78666

SMTX 78666
SMTX 78666
http://www.myspace.com/sanmarcoscompilation

SMTX 78666 is a 19-song compilation featuring original songs from local bands The Jared Francis Band, Scott Biram, Robbie and the Robots, Eleven Fingered Charlie, The Cari Hutson Band, Kallisti Gold, The Jocks, The Subtle Creeps, The Word Association, The Wailing Walls, The Hatchets, Grant Ewing, Bernie Calcote Blackwater Gospel, Rockus Circus, The AK47’s, Chancla, Fambly and Apse Affinity.

Intended as a charitable cause and the brainchild of Robbie Doyen, lead singer of Robbie and the Robots, SMTX 78666 includes a variety of genres, including bluegrass, rock ‘n roll, hip hop, ska, punk, metal and blues. Partial proceeds of the CD go to AFFTER (Advocates for Fibromyalgia Funding Treatment Education and Research) in an attempt to fight the disease that afflicts Doyen’s father. Fibromyalgia is thought to be second most common rheumatic condition in the United States, affecting two percent Americans, according to John Hopkins University research.

The first track “Texas Beer” by Jared Francis Band, recalls the greatness of living in Texas - the best part being Texas beer. Comparable to American rock band O.A.R, the Jared Francis Band reminisce about their time in Texas and refute the experience of moving to Oklahoma - “Gray skies, Texas Rain - ain’t nothing better to ease my pain. Oklahoma is fading fast. San Marcos, Texas, you’re right on track.” The upbeat guitar and funky bass make the track one of the more jammy tracks of the album.

The foot tapping track entitled “Whitehouse Blues” by Scott Biram characterized by fast riffs and Biram’s rye soaked vocals is a banjo-picked yodeling good time. “Up in the Scene,” the Hip Hop Remix by Robbie and the Robots begins with emcee Omari Kamua laying down rhyme atop funky electric guitar and pounding bass. After a minute, Doyen begins with the lyrics “my favorite band is playing up in Austin and I’m going to go.” The poppy garage Texas country band’s lyrics are simple but clever.

Another standout track is “Snake Eyes” by the hip hop group The Word Association. The down tempo groove contains some profanity but keeps a perpetual harmony in its looped bars and numerous singers dropping rhymes. The track begins with a sole member rapping the lyrics “if you take a young man, put a microphone in his hand and push him as hard as you can - you have an artistic weapon. We have ten,” and concludes with several of the members chiming in “no surprise, you rolling dice with snake eyes. No surprise, you rolling dice with snake eyes.”

“All Night Ramblin” by Grant Ewing is a notable blues track featuring soft cymbal tapping, rolling guitar riffs, and the theme of drowning the blues with a night of alcohol “slamming.”

“Misguided Confidence” by the AK47s begins with ravage raucous screaming and Hot Topic-esque metal rock guitar riffs and drumming. While most of the lyrics in the song are difficult to understand, the track further proves that there’s something for everyone on the compilation. “Chancla” by Chancla which translates into flip-flop depicts the story of a boy disciplined by “number one tool of Latina mothers for discipline.” Featuring a few words in Spanish, the comedic song tells the story of a young boy being asked to make a chicken pot pie and throwing out the “basura” and getting lost in playing “Pacman” instead of doing his chorus.

The album artwork done by local artist Bonner Fowles depicts a laid back river floating experience on the San Marcos River which folds out into three part gatefold. The inner sleeve is simpler with tree leaves adorning the upper outer corners encircling the artist names, song titles and band website. The inner back tray features a girl tubing with a beer and cigarette in hand encompassing the overall theme of the album - river floating and house parties.

SPACE CAMP- FREE Party

Birds Barbershop is hosting a FREE party Cut Off Your Hands, King Khan & The Shrines and NASA, among others.

Frisbee Dan: A San Marcos treasure

Frisbee Dan is out at Sewell Park just about every day, decorating the sunlight with his singular Frisbee technique. Photo by Christina Zambrano.

By ASHLEY CASS
News Reporter

Through numerous interviews, YouTube videos, a handful of commercials and even a t-shirt, Dan Barry, known to most as “Frisbee Dan,” has risen to San Marcos celebrity status throughout the years as a fixture at Sewell Park.

But Dan Barry’s true hook is his finesse with the Frisbee, a flair for teaching his craft to the young, and his useful presence in the park as sort of an unofficial guardian of the peace.

Every day, without fail, during prime hours in the scorching daytime, Barry can be found at the park tossing his customized Frisbees until sunset. Clad in black short shorts, a white sun hat, rec specs and close to half a bottle of sunscreen, Barry has played Frisbee at Sewell Park for almost 20 years.

Barry jokes that he’s more of an “eye sore” than an “icon.” Regulars at the park enjoy that humor, to say nothing of the show he puts on most every day.

“I think he has great technique, and I’ve never seen him drop a disc or miss a catch,” Texas State student Vanessa Monahan said. “Frisbee Dan is an icon. He’s like the Leslie Cochran of San Marcos, minus the drag.”

Hailing from Akron, OH, Barry arrived to San Marcos in 1986 as a rehab therapy patient at Tangram Rehabilitation Center after suffering a severe head injury from jumping out of a moving truck.

Excelling in horticulture, he was released from Tangram four years later and staffed at the facility for eight years, helping to treat other injured patients.

“I was trained by a horticultural specialist who got their horticulture degree from A&M,” Barry said. “I was really good at it and I sifted through recovery period quickly, and now I’m a certified licensed landscaper. The only reason my parents chose Tangram was because it had nursery work or landscaping, and they knew I enjoyed to do that kind of stuff, since I had already been doing that.”

Even before his accident, Barry enjoyed playing Frisbee, a hobby he and his brother shared during their years as landscapers in Ohio. With more than 35 years of Frisbee playing experience, Barry said he can “can hit a walking person yards away without any effort on a windy day.”

Sharing his throwing method with numerous Texas State Ultimate Frisbee athletes, Barry has developed a more efficient technique.

“Stance, grab, wrist release, quick release,” Barry said. “Pop it quick. The slower you throw it, the worse it flies. Some people don’t have any eye-hand coordination. You have to have some sort of hand-eye coordination. If not, you won’t be able to do it. If you have a boyfriend and don’t have a problem backhanding him, you’d be great at Frisbee playing.”

Barry, who customizes his Frisbees with colored duct tape embellished with a star logo, says the process is tedious and time consuming but worth the effort.

“It takes me three hours to set all the tape, but doing this will reinforce the center to kick it, tip it or do whatever to it without it breaking,” said Barry. “I have guys come back here five or 10 years after getting a disc from me and they still have them intact.”

Texas State Graduate Assistant for Outdoor Recreation Steven Campbell, whose workplace is on Sewell Park, sees Frisbee Dan on a daily basis.

“I think he’s a San Marcos legend, a staple part of the atmosphere at Sewell,” Campbell said. “He’s a friendly character and gets along with the students well. He watches out for the folks in the park - reports anything detrimental.”

Local progressive fusion band Ars Poetica pays homage to Barry with its track entitled “Frisbee Dan.” The 2:15 minute song is an upbeat orchestration of jazzy piano, happy guitar riffs and whispery brushed drums featuring the lyrics, “All the grass in the park, from the day to the dark - he’s no ordinary man, Frisbee Dan. And when you ask why he do what he do, he says ‘I love it,’ why don’t you love it, too.”

Olive Street-Review

Olive Street
Olive Street
www.olivestreetrecords.com
Beginning as house mates in San Marcos, Olive Street formed in 2006. The inspiration behind the band’s name came from their living location’s side street name. The band consists of Kyle Mylius on keyboards, Lindsey James on vocals, acoustic guitar, organ, Jah Wilkinson on drums and Bel Stuart on bass guitar and backing vocals.
The self-titled EP, which was released earlier this year, features four tracks. Bringing a new detail to folk-rock, Olive Street’s front man Lindsey James sounds hauntingly like Connor Oberst while the band’s resonance is reminiscent to that of the Counting Crows.
The first track entitled “Dealbreaker,” is a soft tune resounding guitar pickings, slow drumming, and melancholy piano haunting through the quaver of James’ voice. The pain behind James’ voice is not only evident in the quivering of his vocals but through the thoughtful lyric writing---“I didn’t know what I was putting you through... I don’t think I could be with you, it was a dealbreaker baby.”
In the EP’s second track, “Sea of Mesquite,” James’ tone is more aggressive and mildly suggestive of Matchbox 20’s Rob Thomas husky voice droned with background guitar and a piano suggestive of a lounge theme. “They Grow Like Weeds,” includes more upbeat piano, easy drumming, and solemn guitar lines hemming the underlying theme of solitude for the characters in the song. The album’s concluding track, “Shapeshifter,” cultivates a sorrowful mood and incorporates an unnamed female vocalist echoing on some lyrics. Towards the end of the song however, the song becomes faster paced and louder only to return to its slow, dawdling pace in the last 50 seconds.

Henry & The Invisibles-Review

Henry & The Invisibles
Henry & The Invisibles
http://www.myspace.com/henryinvisible
More notable for his live performances, Henry Roland, front and sole member of Henry and the Invisibles produces live loops on the spot to create a soulful, funk-tastic experience that guides the crowd through an orchestration of electronica and fusion. The one man band’s Prince like vocals suit the incorporation of looped guitar, bass guitar, percussion, keyboards, and household items such as pots and cans, coffee-cans, and water jugs well. With serviceable falsetto funk and glassy-eyed soul rock, Roland’s unhinged 1970’s nostalgia meets with non-stop dancing and grooving.
The self-titled 6 track-EP featured on Roland’s site, http://sonicbids.com/epk/epk.aspx?epk_id=14383, Sounding almost identical (with a more down-tempo element) to Jack Johnson’s intro to “Upside Down,” Roland’s “Power of Ten” transforms after a few bars of the recognizable beat into something more funky and fresh with Roland declaring that “it’s getting funky, it’s getting funky, it’s getting mother funky.” The second track entitled, “How You Livin’,” is a slower tune which recalls the ‘Purple One’s’ sexy sultriness. Roland’s originality and experimentalism entwined with a rhythmic element becomes more and more prevalent throughout the progression of the tracks. “Only Humans,” is resonant of alternative rockers the Pixies in its down-tempo alt. guitar riffs, vibrating bass and echoing vocals. “Sing a Song,” the standout track of the bunch is a live performance which includes tambourine jingling and soulful cooing. Almost like church, “Sing a Song,” list life’s importance’s “one world, one heart, one love” and asks, “If we can all sing a song, then why can’t we all get along?” Midway, Roland rips into a funky bass guitar solo. The last track, “LoveJam A.K.A. The Gospel” is also a live track and the longest at 8:21 minutes. The encompassing theme of Love is ubiquitous and central not only through Roland’s repetition of the word, but in the lyrics.